import pandas as pd
import urllib
import numpy as np
import urllib.request
import re
from textblob import TextBlob
%run lib.py

#name="Legally%20Blonde"
#name="aboutmary"
#name="10Things"
name="magnolia"
#name="Friday%20The%2013th"
#name="Ghost%20Ship"
#name="Juno"
#name="Reservoir+Dogs"
#name="shawshank"
#name="Sixth%20Sense,%20The"
#name="sunset_bld_3_21_49"
#name="Titanic"
#name="toy_story"
#name="trainspotting"
#name="transformers"
#name="the-truman-show_shooting"
#name="batman_production"

ext="html"
txtfiles=["Ghost%20Ship", "Legally%20Blonde", "Friday%20The%2013th", "Juno", "Reservoir+Dogs", "Sixth%20Sense,%20The", "Titanic"]
if name in txtfiles:
    ext="txt"
fp = urllib.request.urlopen("http://www.dailyscript.com/scripts/"+name+"."+ext)
mybytes = fp.read()

mystr = mybytes.decode("utf8", "ignore")
fp.close()
liston=mystr.split("\n")
liston=[s.replace('\r', '') for s in liston]
liston=[re.sub('<[^<]+?>', '', text) for text in liston]

if name=="shawshank":
    liston=[i.replace("\t", "    ") for i in liston]

char=""
script=[]
charintro='                                 '
endofdialogue='          '
dialoguepre='                    '
newscenepre='          '
charintro=''
endofdialogue=''
dialoguepre=''
newscenepre=''
i=45
print("Characters")
i, charintro=nextbigchunk(liston, i)
print("Adverbs")
i, adverb=nextbigchunk(liston, i, adverbs=True)
print("Dialogues")
i, dialoguepre=nextbigchunk(liston, i)
print("New Scene:")
i, newscenepre=nextbigchunk(liston, i)

if newscenepre=="X":
    i=100
    i, newscenepre=nextbigchunk(liston, i)
    if name=="aboutmary":
        newscenepre=" ".join(["" for i in range(56)])
    if len(newscenepre)==len(charintro):
        newscenepre="X"
    

endofdialogue=newscenepre
    

scene=1
for s in liston:
    if s[0:len(charintro)]==charintro and s[len(charintro)]!=" " and s.strip()[0]!="(" and s.strip()[len(s.strip())-1]!=")":
        #print("Charatcer*****")
        char=s[len(charintro):]
        new=dict()
        new['char']=char.strip()
        new['dialogue']=""
        new['scene']=scene
        new['adverb']=""
    if s==endofdialogue or s.replace(" ", "")=="":
        if char!="":
            char=""
            script.append(new)
    if char!="" and s[0:len(dialoguepre)]==dialoguepre and s[len(dialoguepre)]!=" ":
        #print("Dialogue******")
        if new['dialogue']!="":
            new['dialogue']=new['dialogue']+" "
        new['dialogue']=new['dialogue']+s[len(dialoguepre):]
    if char!="" and ((s[0:len(adverb)]==adverb and s[len(adverb)]!=" ") or (len(s)>1 and s.strip()[0]=="(" and s.strip()[len(s.strip())-1]==")" )):
        if new['adverb']!="":
            new['adverb']=new['adverb']+" "
        new['adverb']=new['adverb']+s[len(adverb):]
    if s[0:len(newscenepre)]==newscenepre and len(s)>len(newscenepre) and ( s.isupper()) and s[len(newscenepre)]!=" ":
        scene=scene+1

Characters
                                magnolia
                                NARRATOR
                                NARRATOR
                                NARRATOR
                                NARRATOR
                                NARRATOR
Adverbs
Dialogues
                      In the New York Herald, November 26,
                      year 1911, there is an account of the
                      hanging of three men --
                      ...they died for the murder of
                      Sir Edmund William Godfrey --
                      -- Husband, Father, Pharmacist and all
New Scene:
     a P.T. Anderson picture                             11/10/98
     a Joanne Sellar/Ghoulardi Film Company production

pd.DataFrame(script).to_csv(name+'.csv', index=None)
pd.DataFrame(script)

magnolia=pd.read_csv(name+'.csv')
stopwords = getstopwords()

removedchars=["'S VOICE", "'S WHISPER VOICE", " GATOR"]
for s in removedchars:
    magnolia['char']=magnolia['char'].apply(lambda x: x.replace(s, ""))
i=0
scenes=dict()
for s in magnolia.iterrows():
    scenes[s[1]['scene']]=[]
for s in magnolia.iterrows():
    scenes[s[1]['scene']].append(s[1]['char'])
for s in magnolia.iterrows():
    scenes[s[1]['scene']]=list(set(scenes[s[1]['scene']]))

characters=[]
for s in scenes:
    for k in scenes[s]:
        characters.append(k)
characters=list(set(characters))
appearances=dict()
for s in characters:
    appearances[s]=0
for s in magnolia.iterrows():
    appearances[s[1]['char']]=appearances[s[1]['char']]+1

a=pd.DataFrame(appearances, index=[i for i in range(len(appearances))])

finalcharacters=[]
for s in pd.DataFrame(a.transpose()[0].sort_values(0, ascending=False))[0:10].iterrows():
    finalcharacters.append(s[0])

finalcharacters
file=open(name+"_nodes.csv", "w")
couplesappearances=dict()
for s in finalcharacters:
    file.write(";")
    file.write(s)
file.write("\n")
for s in finalcharacters:
    newlist=[]
    for f in finalcharacters:
        newlist.append(0)
        couplesappearances[f+"_"+s]=0
    j=0
    for f in finalcharacters:
        for p in scenes:
            if f in scenes[p] and s in scenes[p] and f!=s and finalcharacters.index(f)<finalcharacters.index(s): 
                long=len(magnolia[magnolia["scene"]==p])
                newlist[j]=newlist[j]+long
                couplesappearances[f+"_"+s]=couplesappearances[f+"_"+s]+long
        j=j+1
    file.write(s)
    for f in newlist:
        file.write(";")
        file.write(str(f))
    file.write("\n")
file.close()

a=pd.DataFrame(couplesappearances, index=[i for i in range(len(couplesappearances))])
finalcouples=[]
for s in pd.DataFrame(a.transpose()[0].sort_values(0, ascending=False))[0:4].iterrows():
    finalcouples.append(s[0])

file=open(name+"_finalcharacters.csv", "w")
for s in finalcharacters:
    file.write(s+"\n")
file.close()
file=open(name+"_finalcouples.csv", "w")
for s in finalcouples:
    file.write(s+"\n")
file.close()

importantchars=[]
for char in appearances:
    if appearances[char]>10:
        importantchars.append(char)

file=open(name+"_sentiment_overtime_individual.csv", "w")
file2=open(name+"_sentiment_overtime_individualminsmaxs.csv", "w")

for k in finalcharacters:
    print(k)
    dd=getdialogue(magnolia, k, k, scenes)
    dd=[str(d) for d in dd]
    polarities, subjectivities=getsentiment(dd)
    %matplotlib inline
    import matplotlib.pyplot as plt
    moveda=maverage(polarities, dd, .99)
    plt.plot(moveda)
    i=0
    for s in moveda:
        file.write(k+","+str(float(i)/len(moveda))+", "+str(s)+"\n")
        i=i+1
    plt.ylabel('polarities')
    plt.show()
    file2.write(k+"| MIN| "+dd[moveda.index(np.min(moveda))]+"\n")
    file2.write(k+"| MAX| "+dd[moveda.index(np.max(moveda))]+"\n")
    print("MIN: "+dd[moveda.index(np.min(moveda))])
    print("\n")
    print("MAX: "+dd[moveda.index(np.max(moveda))])
    
file.close()
file2.close()

file=open(name+"_sentiment_overtime_couples.csv", "w")
file2=open(name+"_sentiment_overtime_couplesminsmaxs.csv", "w")

for k in finalcouples:
    print(k)
    liston=k.split("_")
    dd=getdialogue(magnolia, liston[0], liston[1], scenes)
    dd=[str(d) for d in dd]
    polarities, subjectivities=getsentiment(dd)
    %matplotlib inline
    import matplotlib.pyplot as plt
    moveda=maverage(polarities, dd, .99)
    plt.plot(moveda)
    i=0
    for s in moveda:
        file.write(k+","+str(float(i)/len(moveda))+", "+str(s)+"\n")
        i=i+1
    plt.ylabel('polarities')
    plt.show()
    file2.write(k+"| MIN| "+dd[moveda.index(np.min(moveda))]+"\n")
    file2.write(k+"| MAX| "+dd[moveda.index(np.max(moveda))]+"\n")
    print("MIN: "+dd[moveda.index(np.min(moveda))])
    print("\n")
    print("MAX: "+dd[moveda.index(np.max(moveda))])
    
file.close()
file2.close()

JIM KURRING

MIN: You mind if I check things back here? 


MAX: YOU'RE OK...you're gonna be ok....
JIMMY

MIN: She went crazy.  She went crazy, Rose. 


MAX: Imagine you are attending a jam session of classical composers and they have  each done an arrangment of the classic  favorite, "Whispering."  Here are three  variations on the theme, as three classic  composer's might have written it -- you are to name the composer.  The First: 
CLAUDIA

MIN: I'm sorry. 


MAX: Did you ever go out with someone and just....lie....question after question, maybe you're trying to  make yourself look cool or better  than you are or whatever, or smarter  or cooler and you just -- not really lie, but maybe you just don't say everything --
FRANK

MIN: If you feel, made to feel like you need them, like -- like you can't live if you're without them or you need, what?  They're pussy?  They're love? Fuck that.  Self Sufficient, gents.  That's the truth. What you are -- we are -- you need them  for what?  To fucking make you a piece of snot rag?  A puppett?  huh?  Hear them bitch and moan? bitch and moan --  and we're taught one thing -- go the other way -- there is No Excuse I will give you, I'm not gonna apologize -- I'm not gonna  apologize for my NEED my DESIRE...my, the  things that I need as a man to feel comfortable... You understand?  You understand?  You need to say something, "my mommy hit me or  daddy hit me or didn't let me play soccer,  so now I make mistakes, cause a that -- something, so now I piss and shit on it and do this." Bullshit.  I'm sorry. ok. yeah. no. fuck.  go.  fuck. alright. go make a new mistake. maybe not, I dunno...fuck.... 


MAX: I wouldn't want that to be misunderstood: My enrollment was totally unoffical because I was, sadly, unable to afford tuition up  there.  But there were three wonderful men who were kind enough to let me sit in on their classes, and they're names are:  Macready, Horn and Langtree among others. I was completely independent financially, and like I said: One Sad Sack A Shit.  So what we're looking at here is a true rags to riches story and I think that's  what most people respond to in "Seduce," And At The End Of The Day? Hey -- it may not  even be about picking up chicks and sticking your cock in it -- it's about finding What You Can Be In This World.  Defining It.  Controling It and  saying: I will take what is mine.  You just happen  to get a blow job out of it, then hey-what-the-fuck- why-not?  he.he.he.
PHIL

MIN: You wanna call him on the phone? We can call him, I can dial the  phone if you can remember the number -- 


MAX: Thank you, Chad, and good luck to you and your mother -- 
STANLEY

MIN: I think that you have to be nicer to me.


MAX: I'm fine. I'm fine, I just wanna keep playing --
DONNIE

MIN: My teeff...my teeef....


MAX: My name is Donnie Smith and I have lot's of love to give. 
EARL

MIN: No, no, the grade...the grade that you're in? 


MAX: "...it's not going to stop 'till you wise up..."
LINDA

MIN: listen...listen to me now, Phil:  I'm sorry, sorry I slapped your face.  ...because I don't know what I'm doing... ...I don't know how to do this, y'know?  You understand?  y'know?  I...I'm...I do things  and I fuck up and I fucked up....forgive me, ok? Can you just...


MAX: I'm listening.  I'm getting better. 
NARRATOR

for key, val in scenes.items():
    for s in scenes[key]:
        new="INSCENE_"+scenes[key][0]
        scenes[key].remove(scenes[key][0])
        scenes[key].append(new)

magnolia.dropna(subset=['dialogue'])
1

1

baskets=[]
spchars=["\"", "'", ".", ",", "-"]
attributes=["?", "!"]
for s in magnolia.iterrows():
    if type(s[1]['dialogue'])!=float and  len(s[1]['dialogue'])>0:
        new=[]
        for k in scenes[s[1]['scene']]:
            new.append(k)
        new.append("SPEAKING_"+s[1]['char'])
        for k in s[1]['dialogue'].split(" "):
            ko=k
            for t in spchars:
                ko=ko.replace(t, "")
            for t in attributes:
                if ko.find(t)>=0:
                    new.append(t)
                    ko=ko.replace(t, "")
            if len(ko)>0:
                new.append(ko.lower())
        new=list(set(new))
        baskets.append(new)

baskets2=[]
basketslist=[]
for k in baskets:
    new=dict()
    new2=[]
    for t in k:
        if t not in stopwords:
            new[t]=1
            new2.append(t)
    baskets2.append(new)
    basketslist.append(new2)

baskets2=pd.DataFrame(baskets2)
from mlxtend.frequent_patterns import apriori
from mlxtend.frequent_patterns import association_rules
baskets2=baskets2.fillna(0)
baskets2.to_csv(name+'_basket.csv')

frequent_itemsets = apriori(baskets2, min_support=5/len(baskets2), use_colnames=True)
rules = association_rules(frequent_itemsets, metric="lift", min_threshold=1)

rules['one_lower']=[int(alllower(i) or alllower(j)) for i, j in zip(rules['antecedants'], rules['consequents'])]

rules['both_lower']=[int(alllower(i) and alllower(j)) for i, j in zip(rules['antecedants'], rules['consequents'])]

rules.to_csv(name+'_rules.csv', index=None)

	adverb	char	dialogue	scene
0		magnolia		1
1		NARRATOR	In the New York Herald, November 26, year 1911...	2
2		NARRATOR	...they died for the murder of Sir Edmund Will...	2
3		NARRATOR	-- Husband, Father, Pharmacist and all around ...	2
4		NARRATOR	Greenberry Hill, London. Population as listed.	3
5		NARRATOR	He was murdered by three vagrants whose motive...	5
6		NARRATOR	...Joseph Green.....	5
7		NARRATOR	...Stanley Berry....	5
8		NARRATOR	...and Nigel Hill...	5
9		NARRATOR	Green, Berry and Hill.	7
10		NARRATOR	...And I Would Like To Think This Was Only A M...	7
11		NARRATOR	As reported in the Reno Gazzette, June of 1983...	9
12		NARRATOR	--- the water that it took to contain the fire --	10
13		NARRATOR	-- and a scuba diver named Delmer Darion.	12
14		NARRATOR	Employee of the Peppermill Hotel and Casino, R...	15
15		NARRATOR	-- well liked and well regarded as a physical,...	16
16		NARRATOR	-- as reported by the coroner, Delmer died of ...	21
17		NARRATOR	...volunteer firefighter, estranged father of ...	24
18		NARRATOR	-- added to this, Mr. Hansen's tortured life m...	26
19		CRAIG HANSEN	...oh God...fuck...I'm sorry...I'm sorry...	27
20		NARRATOR	The weight of the guilt and the measure of coi...	27
21		CRAIG HANSEN	...forgive me...	27
22		NARRATOR	And I Am Trying To Think This Was All Only A M...	29
23		NARRATOR	The tale told at a 1961 awards dinner for the ...	32
24		NARRATOR	Seventeen year old Sydney Barringer. In the ci...	33
25		NARRATOR	The coroner ruled that the unsuccessful suicid...	33
26		NARRATOR	The suicide was confirmed by a note, left in t...	34
27		NARRATOR	At the same time young Sydney stood on the le...	35
28		NARRATOR	The neighbors heard, as they usually did, the...	36
29		NARRATOR	-- and it was not uncommon for them to threat...	37
...	...	...	...	...
1493		DIXON	We gotta get his money so we can get outta her...	382
1494		WORM	That idea is over now. We're not gonna do tha...	382
1495	(to Stanley)	DIXON	DADDY, FUCK, DADDY, DON'T GET MAD AT ME. DON'T...	382
1496		WORM	I'm not mad, son, I will not be mad at you an...	382
1497		DIXON	DAD.	382
1498		DIXON	I - just - thought - that - I - didn't want - ...	382
1499		WORM	It's ok, boy.	382
1500		MUSIC/KERMIT THE FROG	"It's not that easy bein' green... Having to s...	383
1501		DONNIE	My teeff...my teeef....	385
1502		JIM KURRING	YOU'RE OK...you're gonna be ok....	385
1503		NARRATOR	And there is the account of the hanging of thr...	390
1504		NARRATOR	There are stories of coincidence and chance an...	391
1505		NARRATOR	...and we generally say, "Well if that was in...	392
1506		DOCTOR	Are you with us? Linda? Is it Linda?	394
1507		NARRATOR	Someone's so and so meet someone else's so and...	395
1508		NARRATOR	And it is in the humble opinion of this narrat...	398
1509		STANLEY	Dad...Dad.	399
1510		STANLEY	You have to be nicer to me, Dad.	399
1511		RICK	Go to bed.	399
1512		STANLEY	I think that you have to be nicer to me.	399
1513		RICK	Go to bed.	399
1514		NARRATOR	...and so it goes and so it goes and the book...	400
1515		MARCIE	I killed him. I killed my husband. He hit my...	401
1516		DONNIE	I know that I did a thtupid thing. Tho-thtupid...	402
1517		DONNIE	I really do hath love to give, I juth don't kn...	402
1518		JIM KURRING	...these security systems can be a real joke. ...	403
1519		DONNIE	....ohh-thur-I-thur-thill....	403
1520		JIM KURRING	You guys make alotta money, huh?	403
1521	(beat)	JIM KURRING	...alot of people think this is just a job tha...	405
1522		END.		406

sentiment	Porcentaje
negative	55%
positive	45%

sentiment	Porcentaje
positive	18.1%
negative	15.4%
trust	11.9%
sadness	9.2%
anticipation	8.8%
joy	8.7%
anger	8.7%
fear	8.0%
disgust	5.7%
surprise	5.6%

sentiment	Porcentaje
negative	53.0%
uncertainty	21.9%
positive	20.7%
litigious	4.4%

sentiment	Porcentaje
positive	52.08%
negative	47.92%

Analisis de Script Pelicula Magnolia

Bernardo Garcia & Eduardo Hidalgo

May 9, 2018

Agenda

Procesamiento de Texto

Ver archivo Python

Analisis de Sentimiento (Pelicula & Personaje)

Score por Pelicula

Score por Personaje

Score por Personaje en el tiempo

Top 10 Personajes

Top 4 Parejas

Reglas de Asociación entre palabras (Market Basket)

Toda la pelicula

Top 10 Personajes

Top 4 Parejas

Analisis de Relaciones entre Personajes (Pagerank)

sentiment	Porcentaje
positive	18.3%
negative	14.2%
trust	11.4%
sadness	10.0%
anticipation	9.5%
fear	9.3%
anger	7.9%
joy	7.9%
surprise	6.5%
disgust	5.1%

sentiment	Porcentaje
negative	19.8%
positive	14.6%
sadness	13.8%
anger	10.7%
fear	9.1%
disgust	8.7%
trust	7.1%
joy	6.3%
anticipation	5.1%
surprise	4.7%

sentiment	Porcentaje
positive	16.7%
negative	15.5%
anticipation	10.7%
anger	8.9%
sadness	8.9%
trust	8.9%
fear	8.3%
joy	7.7%
surprise	7.7%
disgust	6.5%

sentiment	Porcentaje
positive	19.9%
negative	17.3%
trust	14.0%
anticipation	8.2%
joy	8.2%
anger	8.0%
sadness	7.4%
fear	6.6%
disgust	6.0%
surprise	4.3%

sentiment	Porcentaje
positive	24.0%
trust	15.8%
negative	14.2%
sadness	8.7%
anticipation	8.2%
fear	7.1%
anger	6.6%
disgust	6.6%
joy	5.5%
surprise	3.3%

sentiment	Porcentaje
positive	22.2%
joy	16.7%
anticipation	15.3%
trust	13.9%
negative	9.7%
anger	8.3%
surprise	6.9%
sadness	4.2%
disgust	1.4%
fear	1.4%

sentiment	Porcentaje
positive	19.2%
joy	13.4%
negative	12.5%
trust	11.9%
anticipation	9.5%
anger	8.8%
sadness	7.0%
surprise	7.0%
fear	6.1%
disgust	4.6%

sentiment	Porcentaje
positive	16.5%
negative	16.0%
fear	11.9%
sadness	10.3%
anger	9.3%
trust	9.3%
disgust	8.2%
anticipation	7.2%
joy	7.2%
surprise	4.1%

sentiment	Porcentaje
negative	17.0%
positive	13.5%
anger	10.8%
fear	10.3%
sadness	10.3%
trust	10.3%
anticipation	7.6%
surprise	7.6%
disgust	6.7%
joy	5.8%

sentiment	Porcentaje
positive	25.9%
negative	13.0%
sadness	13.0%
fear	11.1%
anger	9.3%
anticipation	9.3%
disgust	9.3%
surprise	3.7%
trust	3.7%
joy	1.9%

sentiment	Porcentaje
positive	15.2%
negative	14.7%
joy	13.7%
trust	13.3%
anticipation	9.5%
sadness	8.5%
anger	7.6%
disgust	7.6%
fear	6.2%
surprise	3.8%

sentiment	Porcentaje
positive	14.8%
anticipation	12.9%
anger	11.4%
negative	11.4%
trust	11.0%
surprise	10.5%
joy	9.0%
fear	7.1%
sadness	7.1%
disgust	4.8%

sentiment	Porcentaje
negative	22.1%
anger	14.3%
positive	13.0%
fear	10.4%
trust	9.1%
anticipation	7.8%
disgust	6.5%
joy	6.5%
sadness	6.5%
surprise	3.9%

sentiment	Porcentaje
positive	26.4%
trust	18.4%
negative	13.8%
anticipation	12.6%
sadness	10.3%
joy	6.9%
anger	3.4%
fear	3.4%
disgust	2.3%
surprise	2.3%

sentiment	Porcentaje
positive	24.2%
negative	15.2%
sadness	12.1%
anticipation	9.1%
fear	9.1%
joy	9.1%
trust	9.1%
anger	6.1%
disgust	3.0%
surprise	3.0%

sentiment	Porcentaje
positive	22.7%
joy	17.3%
negative	16.0%
trust	13.3%
sadness	9.3%
anger	5.3%
anticipation	5.3%
fear	5.3%
disgust	2.7%
surprise	2.7%

sentiment	Porcentaje
negative	17.9%
anger	16.1%
sadness	14.3%
disgust	12.5%
fear	12.5%
positive	10.7%
trust	5.4%
anticipation	3.6%
joy	3.6%
surprise	3.6%

sentiment	Porcentaje
negative	26.7%
trust	16.7%
anger	13.3%
disgust	13.3%
anticipation	6.7%
fear	6.7%
positive	6.7%
joy	3.3%
sadness	3.3%
surprise	3.3%

sentiment	Porcentaje
trust	28.6%
positive	23.8%
joy	14.3%
negative	14.3%
anticipation	4.8%
fear	4.8%
sadness	4.8%
surprise	4.8%

sentiment	Porcentaje
negative	19.0%
sadness	14.3%
trust	14.3%
anger	9.5%
disgust	9.5%
fear	9.5%
joy	9.5%
positive	9.5%
anticipation	4.8%

sentiment	Porcentaje
positive	23.1%
joy	13.7%
surprise	13.7%
trust	12.8%
anticipation	11.1%
sadness	7.7%
anger	6.0%
fear	5.1%
negative	4.3%
disgust	2.6%

sentiment	Porcentaje
positive	30.5%
trust	20.3%
anticipation	11.9%
negative	11.9%
surprise	8.5%
joy	6.8%
anger	5.1%
sadness	5.1%

sentiment	Porcentaje
negative	31.6%
sadness	15.8%
anger	10.5%
fear	10.5%
positive	10.5%
anticipation	5.3%
disgust	5.3%
surprise	5.3%
trust	5.3%

sentiment	Porcentaje
positive	19.6%
trust	14.3%
anticipation	12.5%
anger	10.7%
fear	10.7%
joy	8.9%
negative	8.9%
sadness	5.4%
surprise	5.4%
disgust	3.6%

sentiment	Porcentaje
negative	19.4%
disgust	16.7%
anger	13.9%
anticipation	8.3%
positive	8.3%
sadness	8.3%
trust	8.3%
fear	5.6%
joy	5.6%
surprise	5.6%

sentiment	Porcentaje
positive	22.4%
sadness	22.4%
negative	14.3%
fear	12.2%
anticipation	8.2%
trust	6.1%
anger	4.1%
disgust	4.1%
joy	4.1%
surprise	2.0%

Personaje	Min_Max	Dialogo
JIM KURRING	MIN	You mind if I check things back here?
JIM KURRING	MAX	YOU’RE OK…you’re gonna be ok….
JIMMY	MIN	She went crazy. She went crazy, Rose.
JIMMY	MAX	Imagine you are attending a jam session of classical composers and they have each done an arrangment of the classic favorite, “Whispering.” Here are three variations on the theme, as three classic composer’s might have written it – you are to name the composer. The First:
CLAUDIA	MIN	I’m sorry.
CLAUDIA	MAX	Did you ever go out with someone and just….lie….question after question, maybe you’re trying to make yourself look cool or better than you are or whatever, or smarter or cooler and you just – not really lie, but maybe you just don’t say everything –
FRANK	MIN	If you feel, made to feel like you need them, like – like you can’t live if you’re without them or you need, what? They’re pussy? They’re love? Fuck that. Self Sufficient, gents. That’s the truth. What you are – we are – you need them for what? To fucking make you a piece of snot rag? A puppett? huh? Hear them bitch and moan? bitch and moan – and we’re taught one thing – go the other way – there is No Excuse I will give you, I’m not gonna apologize – I’m not gonna apologize for my NEED my DESIRE…my, the things that I need as a man to feel comfortable… You understand? You understand? You need to say something, “my mommy hit me or daddy hit me or didn’t let me play soccer, so now I make mistakes, cause a that – something, so now I piss and shit on it and do this.” Bullshit. I’m sorry. ok. yeah. no. fuck. go. fuck. alright. go make a new mistake. maybe not, I dunno…fuck….
FRANK	MAX	I wouldn’t want that to be misunderstood: My enrollment was totally unoffical because I was, sadly, unable to afford tuition up there. But there were three wonderful men who were kind enough to let me sit in on their classes, and they’re names are: Macready, Horn and Langtree among others. I was completely independent financially, and like I said: One Sad Sack A Shit. So what we’re looking at here is a true rags to riches story and I think that’s what most people respond to in “Seduce,” And At The End Of The Day? Hey – it may not even be about picking up chicks and sticking your cock in it – it’s about finding What You Can Be In This World. Defining It. Controling It and saying: I will take what is mine. You just happen to get a blow job out of it, then hey-what-the-fuck- why-not? he.he.he.
PHIL	MIN	You wanna call him on the phone? We can call him, I can dial the phone if you can remember the number –
PHIL	MAX	Thank you, Chad, and good luck to you and your mother –
STANLEY	MIN	I think that you have to be nicer to me.
STANLEY	MAX	I’m fine. I’m fine, I just wanna keep playing –
DONNIE	MIN	My teeff…my teeef….
DONNIE	MAX	My name is Donnie Smith and I have lot’s of love to give.
EARL	MIN	No, no, the grade…the grade that you’re in?
EARL	MAX	“…it’s not going to stop ’till you wise up…”
LINDA	MIN	listen…listen to me now, Phil: I’m sorry, sorry I slapped your face. …because I don’t know what I’m doing… …I don’t know how to do this, y’know? You understand? y’know? I…I’m…I do things and I fuck up and I fucked up….forgive me, ok? Can you just…
LINDA	MAX	I’m listening. I’m getting better.
NARRATOR	MIN	– added to this, Mr. Hansen’s tortured life met before with Delmer Darion just two nights previous –
NARRATOR	MAX	So Fay Barringer was charged with the murder of her son and Sydney Barringer noted as an accomplice in his own death…

Parejas	Min_Max	Dialogo
JIM KURRING_CLAUDIA	MIN	You mind if I check things back here?
JIM KURRING_CLAUDIA	MAX	ok.
JIMMY_STANLEY	MIN	I don’t mean to cry, I’m sorry.
JIMMY_STANLEY	MAX	Imagine you are attending a jam session of classical composers and they have each done an arrangment of the classic favorite, “Whispering.” Here are three variations on the theme, as three classic composer’s might have written it – you are to name the composer. The First:
PHIL_EARL	MIN	– it’s not him. it’s not him. He’s the fuckin’ asshole…Phil..c’mere…
PHIL_EARL	MAX	…ah…maybe…yeah…she’s a good one…
FRANK_PHIL	MIN	When they put me on hold, to talk to you…they play the tapes. I mean: I’d seen the commercials and heard about you, but I’d never heard the tapes ….
FRANK_PHIL	MAX	I just…he was…but I gave him, I just had to give him a small dose of liquid morphine. He hasn’t been able to swallow the morphine pills so we now, I just had to go to the liquid morphine… For the pain, you understand?

Numero de Dialogos	Leverage Minimo	Leverage Maximo
2,036	-0.0016	0.0016
54,550	0.0016	0.0049
31,344	0.0049	0.0081
38,338	0.0081	0.011
2,544	0.011	0.015
406	0.015	0.018